I’m Getting Bored of Every PlayStation Game Telling the Same Story https://www.ign.com/articles/im-getting-bored-of-every-playstation-game- telling-the-same-story By Simon Cardy Updated: Oct 2, 2025 11:12 pm Posted: Oct 2, 2025 10:00 pm I’m a huge fan of PlayStation’s first-party offerings. They’ve come to embody the sort of cinematic adventures I’ve always looked for when sitting down with a controller in my hand, feeling like genuine blockbuster events meant to be savoured. But where in the past this brand of glossy storytelling felt like new ground being trodden, I can’t help but feel that recently it's become the well-worn road. It’s not just that all of PlayStation’s major releases adhere to the now-trademark third-person, cinematic stylings – the stable of developers has become seemingly obsessed with stories that explore the exact same themes: grief and revenge. And I’m starting to get tired of it. As a rule, these games are all impeccably well made, but I’m starting to miss that era when PlayStation’s range felt wider and things were a little more “fun.” 我是 PlayStation第一方遊戲的忠實粉絲。它們體現了我一直在追尋的那種電影式冒險 ，當我手握手柄坐下來時，那種感覺就像一部真正的大片，值得細細品味。但在過去，這 種光鮮亮麗的敘事方式感覺像是在開闢新天地，而最近我不禁覺得它已經成為了老路。不 僅僅是因為PlayStation所有的主要發行版都遵循著如今已成為標誌性的第三人稱電影 風格——開發者似乎已經沉迷於探索相同主題的故事：悲傷和復仇。我開始對此感到厭倦 了。通常來說，這些遊戲的製作都無可挑剔，但我開始懷念那個PlayStation內容更豐富 、更「有趣」的時代。 The realisation that so many PlayStation games have explored the same grim story themes struck me when playing through Sucker Punch’s new Ghost of Yotei. While I thoroughly enjoyed it and admire its consistently exciting approach to combat and the genuine sense of discovery it creates through exploration, I couldn’t help but feel I’d been told its story before. As Atsu, you’re tasked with avenging the death of your parents on a blood-soaked journey across 17th-century Japan as you hunt down each of ‘The Yotei Six’. Not only is this tale unfortunately close to the plot of Assassin ’s Creed Shadows, which I also played to completion earlier this year, but it's the same combination of fiery revenge arc crossed with meditations on what is to grieve that has become something of a hallmark for PlayStation Studios in recent years. 在玩 Sucker Punch 的新作《羊蹄鬼魂》時，我突然意識到，這麼多 PlayStation 遊戲 都在探索同樣殘酷的故事主題。雖然我非常喜歡這款遊戲，並且欣賞它始終如一的刺激戰 斗方式以及透過探索營造的真摯探索感，但我還是忍不住覺得這個故事我以前就聽過。你 將扮演 Atsu，踏上血腥的旅程，穿越 17 世紀的日本，為父母的死復仇，追捕「羊蹄六 人組」。不幸的是，這個故事不僅與我今年早些時候通關的《刺客信條：暗影》的劇情相 似，而且它同樣融合了熾熱的復仇弧線和對悲傷的思考，這已成為PlayStation Studios 近年來的標誌性作品。 接著提到其他PS的獨佔遊戲，2018年的《戰神》、2020年的《最後生還者 第二部》、 2022 年的《戰神：諸神黃昏》......等PS的獨佔遊戲劇情都是相同公式套上，圍繞著 悲傷與復仇。 後面提到以前PS的獨佔遊戲劇情內容多樣有趣。 -- 今晚你選那一個姿勢?? ○ "○ ○" ○" (|\ (|\ )) )) ○╭○rz ○rz ○rz-st○ /`○rz /`○r27\" ○r27\" ￣′ ○=^ --

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