1945年台灣光復後，大陸來台之建築師與第一代現代主義建築師，陸續建構出台灣第一代現代主義建築之論述與構築性經驗。但台灣第二代本土的建築師，其論述與構築經驗卻缺乏相關研究。釐清台灣本土第二代建築師的構築經驗與發展趨勢殊為重要。 本論文目的在探討台灣第二代本土建築師：高而潘，其建築作品的構築性之研究。高而潘建築師於1951年畢業於成功大學建築系。在台灣光復後設計出許多優秀的建築作品。而此時期正是世界發展現代主義建築重要時期。本研究依照建築作品之設計先後順序，分析淡水高爾夫球場(1967)、台北市立區合會(1975)、台北市立美術館(1983)、華視光復大樓(1985)、順益台灣原住民博物館 (1994)等五件建築作品。研究方法以現場訪談、收集國立台灣博館提供之設計圖面、並重新建構3D，探討高而潘的作品之構築性表現。其結論為： 1、構築手法現更加精緻化並發展出獨特混凝土仿擬木構造構築手法。 2、金屬玻璃帷幕牆的部分使用與後現代主義發展之趨勢。 3、構築手法有朝向合理化、技術化、人性化的趨勢。 After Taiwan' Retrocession in1945,architects from Mainland China and the first generation of the modern architects establish the first architecture language and tectonic experiences continually.But the second generation of the native modern architects in Taiwan Lack of relevant the research.It is very important to clarify tectonic experiences and the trends in the second generation of native modern architects in Taiwan. The purpose of this thesis is to investigate the second generation of native modern architects：E.P.KAO,a study of tectonic experiences in his architecture works.Architect E.P.KAO graduated from NCKU in AD.1951. He design a lots of Outstanding architecture works after Taiwan' Retrocession.However,it is the Important Period to disseminate The Modern Architecture.This thesis analysis the five architecture works According to the order of design time. New Tan Sui Golf Club,1967,、Taipei Area Coordinated Savings Company,1975、Taipei Fine Arts Museum,1983、CTS Kuang-Fu Building,1985、Shung Ye Museum of Formosan Aborigines,1994. The research methods is approximately On-site interviews、to collect the original drawing from the National Taiwan Museum and rebuild up 3D models. To Investigate the tectonic experiences and the trends in E.P.KAO' works.The conclusion ： 1. Techniques of the tectonic are more refined and developing the extraordinary wood structure mimicry from R.C. 2. Using the metal glass curtain partly and be tend to the post-modenism of architecture 3. Techniques of the tectonic are tending to rationalization、technology and humanity. -- --

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