1945年台湾光复後，大陆来台之建筑师与第一代现代主义建筑师，陆续建构出台湾第一代现代主义建筑之论述与构筑性经验。但台湾第二代本土的建筑师，其论述与构筑经验却缺乏相关研究。厘清台湾本土第二代建筑师的构筑经验与发展趋势殊为重要。 本论文目的在探讨台湾第二代本土建筑师：高而潘，其建筑作品的构筑性之研究。高而潘建筑师於1951年毕业於成功大学建筑系。在台湾光复後设计出许多优秀的建筑作品。而此时期正是世界发展现代主义建筑重要时期。本研究依照建筑作品之设计先後顺序，分析淡水高尔夫球场(1967)、台北市立区合会(1975)、台北市立美术馆(1983)、华视光复大楼(1985)、顺益台湾原住民博物馆 (1994)等五件建筑作品。研究方法以现场访谈、收集国立台湾博馆提供之设计图面、并重新建构3D，探讨高而潘的作品之构筑性表现。其结论为： 1、构筑手法现更加精致化并发展出独特混凝土仿拟木构造构筑手法。 2、金属玻璃帷幕墙的部分使用与後现代主义发展之趋势。 3、构筑手法有朝向合理化、技术化、人性化的趋势。 After Taiwan' Retrocession in1945,architects from Mainland China and the first generation of the modern architects establish the first architecture language and tectonic experiences continually.But the second generation of the native modern architects in Taiwan Lack of relevant the research.It is very important to clarify tectonic experiences and the trends in the second generation of native modern architects in Taiwan. The purpose of this thesis is to investigate the second generation of native modern architects：E.P.KAO,a study of tectonic experiences in his architecture works.Architect E.P.KAO graduated from NCKU in AD.1951. He design a lots of Outstanding architecture works after Taiwan' Retrocession.However,it is the Important Period to disseminate The Modern Architecture.This thesis analysis the five architecture works According to the order of design time. New Tan Sui Golf Club,1967,、Taipei Area Coordinated Savings Company,1975、Taipei Fine Arts Museum,1983、CTS Kuang-Fu Building,1985、Shung Ye Museum of Formosan Aborigines,1994. The research methods is approximately On-site interviews、to collect the original drawing from the National Taiwan Museum and rebuild up 3D models. To Investigate the tectonic experiences and the trends in E.P.KAO' works.The conclusion ： 1. Techniques of the tectonic are more refined and developing the extraordinary wood structure mimicry from R.C. 2. Using the metal glass curtain partly and be tend to the post-modenism of architecture 3. Techniques of the tectonic are tending to rationalization、technology and humanity. -- --

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