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原新闻网址 http://www.aintitcool.com/node/31459 **** Ain’t It Cool is in the middle of an email interview with Kring. We were originally going to post the whole thing at once but – because Kring’s first answer touches on tonight’s episode – we’re going to jump the gun and publish the first part of the conversation now: AICN网站现在正在用E-mail和制作人(Tim)Kring做访谈中。原本我们打算全部作完在贴出 新闻,不过刚好Kring的第一个答案和今晚播出的这集有关,所以我们决定先把访谈的第 一部份贴出来: AICN: Ando Masahashi's a young guy; has he accumulated enough vacation time to be out of the office this long? Will there be a discussion of Hiro putting Ando on a sidekick salary? TIM KRING: Ando's and Hiro's employment situation at Yamagoto Industries will be touched upon in episode 14. However, it seems to me that saving the world has overshadowed any petty issues with their jobs. As for the "sidekick" of it all -- I guess I never really looked at him that way. Let me think about that one. AICN:Ando是个年轻人,他真的累积了那麽多休假天数来让他离开办公室这麽久阿?你们 有讨论Hiro会不会打算给Ando薪水当他的sidekick吗? Kring:第十四集(就是今晚的这集)会提到Hiro和Ando在山本公司的受雇状况。不过就我 看来,拯救世界之余他们应该已经不会在意工作上的小问题吧。至於你说的sidekick,我 猜我从来没把Ando当作是(sidekick)。让我好好想想。 Will we learn how Primatech Paper is inhibiting Sylar's powers? When will we learn how Sylar was able to kill Eden from within his cell? They have had him pretty drugged up. That in conjunction with the proximity of the Haitian and Sylar was supposed to be subdued enough to not be able to use his powers. As for Eden, there had originally been a scene that clarified that she was able to distract the Haitian in order to slip into Sylar’s cell. It was our intension that this allowed Sylar the extra power that he needed to overpower Eden. However, I hope it was clear that she killed herself in order to keep Sylar from getting her power. AICN:有关Primatech Paper怎麽限制Sylar的能力,还有Sylar怎麽能解决Eden,我们会 到答案吗? Kring:他们给他下了不少药。加上Haitian的控制范围,Sylar其实不应该可以使用他的 能力。至於Eden,原本有一幕会解释她支开了Haitian才得以溜进去Sylar的牢里。是我们 刻意让Sylar能够拥有足够的能力反过来制服Eden的。不过我希望情况很明显,是Eden自 杀避免Sylar取得他的能力。 One hears that different writers are responsible to some degree for different characters. Bryan Fuller, for example, is said to have been assigned Claire. Which writers oversee which characters at the moment? This only happened for a couple of scripts. We very soon afterwards reached a point where every writer has written every character. The stories are now divided up on purely ad hoc basis. AICN:我们之前听说每个编剧各自负责一个角色。Bryan Fuller就说他是负责Claire的部 份,那其他人呢? Kring:那只是一开始的情况。我们很快就进展到需要每个编剧都参与到每个角色。现在 故事的每个部份都只是特别分开。[很确定没有翻译好^^"] In an early pilot script, the "big bad" was, if I recall correctly, a superpowered Mideast terrorist who did NOT abscond with the brains of others. Why did you decide to go instead with the superpowered serial killer Sylar? The concept of Sylar as villain was introduced from the very first few minutes of the pilot. He was the "patient zero" that Suresh's father had gone looking for (and subsequently been murdered by). And in the pilot, Suresh finds a cassette tape on the floor of his father's ransacked apartment with the name "Sylar" written on it. In episode two we hear that tape and realize that Sylar is evil. Sylar was planned from the very beginning to be a tangential threat to our Heroes - His story line was planned to run concurrently with the idea of the prophecy of the apocalyptic doom for New York. The terrorist's role in the story has now been replaced by Ted, the radioactive man - NOT Sylar. AICN:最早的剧本里面,我记得没错的话"幕後大黑手"是一群有超能力的中东恐怖份子, 他们并不会打人脑的主意。为什麽你决定要修改成超能力连环杀手Sylar? Kring:有关Sylar是个反派是一开始就确立好的,首集的前几分钟就提到了"0号病患", 那就是Suresh爸在找寻(而後来被其所杀)的人。後来也发现了一卷录音带,上面写着 Sylar,并且在第二集播放出来的时候,我们确定了Sylar不怀好意。Sylar从一开始就是( 我们)计画中的反派,随着纽约大毁灭的故事线一起发展。恐怖份子的部分不是Sylar取代 ,而是转变成Ted,拥有放射能的男人。 Also in an early version of the pilot, Isaac cuts off his own hand. Was this element eliminated because of the expense of erasing a piece of Santiago Cabrera’s anatomy every week, or was there more to it? Once I realized how tight the chronology of the show was going to be, I got cold feet about it. In other words, each episode, at least for the first dozen, would pick up almost immediately where the last had left off. We were going to sew the hand back on, but I just felt that an injury of this magnitude would overwhelm the character's storyline. In reality he'd have to spend weeks in the hospital. So we dropped the idea. AICN:还有在未修改的首集中,Isaac砍掉了他自己的手。这个故事被改的原因,是你们 觉得要每一集都对Santiago的手做後制很麻烦吗?还是有更深的原因? Kring:当我发现故事时间线会很紧凑,我就开始有点害怕。换句话来说,每一集几乎都 是紧接着上一集的尾巴。我们会把他的手缝回去,但我觉得这样大的伤害对角色故事线的 影响颇多,按照正常来讲他应该待在医院好几个礼拜,所以我们放弃了这个主意。 What were you up to with all that eclipse business in the pilot? Were you using it as a storytelling device to tie all the characters together, or were you thinking in the early going that the eclipse might somehow have triggered all these superpowers? An eclipse is a powerful image that has captivated us as a species since the dawn of man. There is power and mystery and awe in it. However, the eclipse in Heroes was never meant to trigger the superpowers. It was, as you say, a unifying global event that worked thematically with telling stories from around the world. But stay tuned, the eclipse just may have a little more significance than that. AICM:你对首集那个日蚀现象有什麽打算呢?它只是代表了把众人连结起来的故事道具, 还是你一开始有打算让这个日蚀现象成为众人启动能力的原因? Kring:日蚀现象是个非常强烈的景象,人们从最早开始就为其?迷。其中带有有着力量, 神秘感和敬畏。Heroes中的日蚀一开始就不是设定来启发众人能力的。它,就是你(们)说 的,是个世界性的现象,串联起各地的故事线。不过你们等着,或许日蚀现象还有你们不 知道的重要性。 to be continued … 待续 ***** -- TGCCCCTT CATAGCC CAGTAC ACTCCTAACTCTCGGCTTCAGAGAATAGAGATCGTACCGATCG CCAGG CG TA AC ACTATG CGGATC GAGCATCCCTTACGACTATTCAATGTGCGACAGTGCAGTGTTCT TTAG GCTT AC ATC TACA CACTC GCTCCGACGACTTCAGAATCGGACTCGACAGGATCCTCTATCTAT AC CTCTCG TG TCGTA CGC TAAT CGCTACCCTAAATCTCGCCAACAGTGGCCAGTAATATAGAACCAGA T CTATAGC CT CGATCG TC CG CCGAACCTGTACGACTCCTAAATACGACTGAGAGGAGATAGTGCTAC CCTGCTT AT TCGTACGA TACTTCACGAAGCCTAGGTAATAGATACGATTATAGCACGAGTCACGC --



※ 发信站: 批踢踢实业坊(ptt.cc)
◆ From: 125.232.239.66 ※ 编辑: Eunoia 来自: 125.232.239.66 (02/06 00:00)
1F:推 jcshie:有看有推~ 02/06 08:22
2F:推 Cowton:只能推了 02/06 09:47
3F:推 Cowton:原来在房间中不能使用能力,是药跟Haitian的能力使然,但就如 02/06 09:58
4F:→ Cowton:板友所说HRG他们也太大意了吧,而Sylar怎变得一发不可收拾? 02/06 09:59
hrsz:转录至看板 Heroes 02/22 23:40







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