日台声音艺术之夜 Japan-Taiwan Night of Sound Art 时间 Time/ 2017/12/22(五) 20:00 地点 Venue/ 江山艺改所 (新竹市江山街13号至15号间小巷内/城隍庙旁) Jiang Shan Yi Gai Suo (In the alley between No.13 & No.15, Jiang Shan St., Hsinchu City/near Cheng Huang Temple) 艺术家 Artists/ 上村洋一 Yoichi Kamimura (JP) + 梅沢英树 Hideki Umezawa (JP) / 冰、乾冰、田野 录音、 Ice, dry ice, field recordings 洪梓倪 Tzu Ni / 声音、光 Sound, light 同场加映 Also presents： 东加奈子 Kanako Azuma (JP) / 录像投影 Video projection 玛丽安娜．毕斯提 Mariana Bisti (GR) / 录像投影 Video projection ※ 演後有艺术家交流座谈 An artist talk session will be held after the performance. 入场赞助 Admission/ $300-200 自由定价 Self-pricing donation ////////////////////////////////////////////////////////////////////////// 关於艺术家 About The Artists/ ● 上村洋一 Yoichi Kamimura (JP) www.yoichikamimura.com 来自东京的艺术家上村洋一关注於声音与环境之间的关系，并对於各地的人们透过文化和 宗教的角度，以不同的方式审视过去、现在与未来感兴趣。他思考自然与人为、过去与现 在、听觉与视觉等之间的关系，其作品受概念艺术影响，在不同场域中录制环境音，并将 研究收集而来的素材组成装置作品。他认为在我们感受当代所处的环境的同时，拥有由概 念性思考、认知、生理及心理感受结合的多重体验是很重要的。他相信这些感知将成为在 未来影响我们生活的关键。与梅沢英树在日本东京Futarri（2017）、日本神奈川县《世 界聆听日》（2017）和blanClass《0°C》（2016）中以双人组合形式演出。 Yoichi Kamimura (b.1982) is a Tokyo-based artist. He is interested in the relationship between sound and scenery, as well as the various ways people perceive past, present, and future through the cultural and religious lenses of different areas of the world. It means that is thinking the relationship of between nature and artificiality, past and present, sound and vision. His production and works that are even while under the influence of conceptual art present perceptual experiences to audience by recording environment sound (Field Recording), moving and staying in various places, and process that is developing into artworks from materials by those research. Because he thinks it's important that we feel the contemporary world we live with fluxes of complex experience consisted of conceptual thinking, recognition and biotic, psychological sensibility. He believes that these senses will be our guide to live in affluence in the future. Duo performances with Hideki Umezawa at Futarri, Tokyo, Japan (2017), at the World Listening Day, Kanagawa, Japan (2017) and "0°C" at blanClass, Kanagawa, Japan (2016). --- ● 梅沢英树 Hideki Umezawa (JP) soundcloud.com/hideki-umezawa 生於西元1986年，为日本艺术家暨作曲家，毕业於东京艺术大学跨媒材艺术硕士。作为一 名作曲家，英树在2015年法国Luc Ferrari国际比赛中获得Presque Rien首奖以及2015年 日本当代电脑音乐会ASCM116奖项；作品被选列於法国Banc d’essai 2015暨Ina-GRM 2017法国当代先锋电子音乐艺术音乐会中演出；亦获得2017年义大利Luigi Russolo奖。 他同时也在世界各地发行了10张专辑，包含与艺术家原摩利彦（艺术团体Dumb Type）合 作的作品。英树正与摩利彦共同合作一项将於2017年11月展出的时尚展览。他与Franç ois Baschet的雕塑作品合作的多声道音乐会将在2017年12月16日於东京艺术大学举行。 Hideki Umezawa (b.1986) is Japanese artist / composer. MFA, Inter-media Art at Tokyo University of the Arts. As a composer, he got 1st prize at Luc Ferrari’s international competition - Presque Rien Prize 2015 (France), Contemporary Computer Music Concert 2015 (Japan), and his works are selected for Banc d’essai 2015 & 2017 (Ina-GRM, France), Luigi Russolo Award 2017 (Italy). He also released 10 CDs from all over the world, including collaboration works with Marihiko Hara (Dumb Type). Now he is working on new collaborative work with Marihiko for the fashion exhibition, which will be held in Nov, 2017. His new multi-channel concert with François Baschet’s sculpture will be held in 16 Dec, 2017 at Tokyo University of the Arts. --- ● 洪梓倪 Tzu Ni www.iitzunii.com 作品主要聚焦於空间装置与声音装置，藉由装置探讨空间中光线建构与声音身体交互接合 的关系与环境。 空间於声音，声音於身体，身体於机器，机器於仪式，仪式於诗，诗於空间。 试图在现今社会状态充满无意义的劳动之中，建构一个环绕的场景／空间让听者进入空幻 的状态把自身与外界隔绝，在当下深切感知思绪与此在。 Space and sound, sound and body, body and machine, machine and ritual, ritual and poetry, poetry and space. In a social landscape filled to the brim with busy work, Hung Tzu-Ni seeks to create a setting or an environment where a listener or viewer might enter into a dream state, momentarily isolated from the outer world, and in that space be able to more intensely perceive one’s frame of mind & body. Her installations explore the reciprocal relation formed between light as it is constructed and sound as it is embodied in a space, as well as the environments where they are interactively engaged. --- ● 东加奈子 Kanako Azuma (JP) kanakoazuma.com 1991年生於日本爱媛县，目前居住於东京。加奈子的艺术创作探索不同的媒材，包括摄影 、音乐与行为艺术，但电影/录像仍是她主要的创作核心。过去重要的展览包括：2017第 七届莫斯科当代艺术双年展；2017东京、巴黎、阿姆斯特丹BEYOND 2020日本摄影师展览 #4；2016印度亚洲短片与纪录片影展等。 Born in Ehime, Japan in 1991, based in Tokyo, Japan. Kanako explores the various fields of art, including photography, music and performance art, while film remains at the core of her practice. Past exhibitions include: 7th MOSCOW INTERNATIONAL BIENNALE OF CONTEMPORARY ART, 2017, Moscow. BEYOND 2020 by Japanese Photographers #4, 2017, Tokyo, Paris and Amsterdam, ALPAVIRAMA: Asian Short & Documentary Film Festival: Focus on Asia Section, 2016, India. --- ● 玛丽安娜．毕斯提 Mariana Bisti (GR) www.marianabisti.com 1981生於希腊，目前往返於伦敦及雅典两地工作及居住。她曾在希腊帕特雷理工教育学院 专攻建筑修复与活化。2005年毕业後，便持续与NC-MP Architects合作，并在2008年以第 一名的成绩考进雅典理工大学建筑学系，4年後完成了建筑工程学士学位。2013年她的论 文「metaRedesigning Klaftmonos Square」获得GREAT 2013希腊建筑人才奖。同年，在 建筑知识的背景下她开始攻读建筑摄影，从此走上摄影师的专业道路。2013年她受希腊比 雷埃夫斯港和雅典双年展聘为摄影师；2014年受邀ArtAthina雅典国际当代艺术博览会拍 摄；同年获得伦敦大学学院（UCL）斯莱德艺术学院（Slade School of Fine Art）艺术 创作硕士，并因优异成绩获得威廉．孔德斯居姆奖。她的艺术实践涵盖多个领域，包括录 像、摄影、公共空间介入、表演和装置。近三年来她在伦敦（Velorose画廊、Crypt画廊 ）、布莱顿（Phoenix Brighton画廊）、里斯本（Dona Laura）、香港（浸会大学视觉艺 术学院）和雅典（T.A.F.）参与展演活动。2017年2月她曾在香港浸会大学视觉艺术院驻 村3个月。她的8分钟双声道空拍录像作品〈稳定繁荣〉获得The Guardian、Dezeen与 Archdaily等媒体好评。 Born in Greece, 1981. Lives and works between London and Athens. Mariana studied Building Restoration and Renovation (TEI Patras, 2005) and Archiectural Engineering (BA/MSc, NTUA 2012). In 2014 she moved to London to pursue a MFA in Fine Art Media at the Slade School of Fine Art, where she earned her degree with distinction and received the UCL Dean’s List Award and the William Coldstream Prize for outstanding academic achievement (2016). Her art practice ranges across different media, including video, photography, public interventions, performances and installation. It can be described as an exploration of the contours of meaning and identities, through the processes of their equivocal formations and contingent representations. Traces, marks, manifestations of temporal presence are recorded and manipulated in an attempt to investigate the ubiquitous absence of certainty in our contemporary world. Implications of political and social issues are juxtaposed with solid forms and concrete spatial references, informing each other of the current human condition and its contextual ambiguities. Combining politics with aesthetics and forms has laid the ground for a practice that wishes to investigate its own limits between experience and knowledge. This framework inspires me to seek answers for both of them, through diverse and unexpected viewpoints and directions. ////////////////////////////////////////////////////////////////////////// 交通方式/ ● 大众运输 火车站出口出来，沿着左前方林森路直走约100公尺，於左手边「台湾银行」前搭乘大远 百免费接驳车，在第三个停靠站(中山路北门街口)下车，往前直走约50公尺右转仁德街( 地标为贡茶)，直走约50公尺左转江山街，找到13号及15号之间的防火巷，进入巷子约15 公尺右手边即为本所正门。 ● 步行 火车站出口出来，沿着左前方林森路直走，看到右手边的「南门医院」後右转复兴路并直 走接东门街，看到城隍庙前广场往正前方找到仁德街(地标为贡茶)，进入仁德街直走约50 公尺左转江山街，找到13号及15号之间的防火巷，进入巷子约15公尺右手边即为本所正门 。（约15~20分钟） ● 地图 Map 中文版：http://0rz.tw/3y8dH English Version：http://0rz.tw/AQCdk 活动页面：https://www.facebook.com/events/1921119351549883/ --

※ 发信站: 批踢踢实业坊(ptt.cc), 来自: 36.228.225.88 ※ 编辑: OscarJeff (36.228.225.88), 12/22/2017 17:01:55 ※ OscarJeff:转录至看板 NHCUE-Talk 12/22 17:02