这篇关於金曲奖的文章 本来想说会在金曲之前刊出来 想帮拷秋勤造势！ 结果是礼拜天刊 . . . 不过还是可以看。拷秋勤是台湾hip hop的希望！Stay strong! http://www.taipeitimes.com/News/feat/archives/2008/07/06/2003416637 [前恕删] Chang Jui-chuan (张睿铨), is a lecturer in the English department of National Chengchi University (国立政治大学) and a hip-hop artist who raps about political issues. Taipei Times: What's the point of the Golden Melody Awards? Chang Jui-chuan: To be honest, I have no expectations for Golden Melody Awards and today's pop music in Taiwan. The general public doesn't believe that pop music can be serious and address important social issues. It's just entertainment. Secondly, people who make pop music in Taiwan don't believe they have a responsibility to make a difference or change society through their work. Music is entertainment or, worse, just a way to make money. You may think I'm being idealistic, but looking back to the US in 1960s you can see how pop music was an essential part of a cultural movement that turned society upside down. Forty years later, and tens of thousands of kilometers away, that legacy endures. Such is the power of pop music. Golden Melody Awards is just a backslapping fest. Of course, occasionally we have great work by people like Chthonic (闪灵), Joy Topper (猪头皮), Pur-dur (陈建年) and Kou Chou Ching (拷秋勤). But they are few and far between. TT: Are Golden Melody Awards more than just a product of a commercial process? CJ: It doesn't matter if Golden Melody Awards are just a product of a commercial process or not. Music needs markets to survive. Even I want a record label to promote my music and ideas. The difference is whether or not you are aware that the production of music or cultural artifacts carries social responsibilities. Mainstream music and film awards in the US pay tribute to people with social convictions like Bob Dylan, Rage Against the Machine and Michael Moore. That doesn't happen in Taiwan. --

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