我来翻一下：Ｐ 可能翻得不一定正确请指正 ※ 引述《echo (KEEP WALKING)》之铭言： : The Oxford Companion to the Photography, edited by Robin Lenman. : Straight Photography: : The term emerged in the 1880s to mean simply an unmanipulated : photographic print, in opposition to the composite prints of Henry : Peach Robinson or the soft-focus painterly images of some pictorialist : photographers. At first, straight photography was a viable choice : within pictorialism, as, for example, the work of Henry Frederick : Evans. Paul Strand's 1917 characterization of his work as "absolute : unqualified objectivity' described a change in the meaning of the : term. It came to imply a specific aesthetic typified by higher : contrast, sharper focus, aversion to cropping, and emphasis on : underlying abstract geometric structure if subjects. Some : photographers began to identify these formal elements as a language : for translating metaphysical or spiritual dimensions into visual : terms. This emphasis on the unmanipulated silver print dominated : modernist photographic aesthetics into the 1970s. 牛津摄影辞典。Robin Lenman编选 纯摄影： 此词首次出现於1980年代，指单纯未经过控制的（底片）摄影；和Henry Peach Robinson 其经过後制、合成的照片及一些大量使用柔焦作为特徵的"Pictorialist摄影师"(?)有所 不同。首先纯摄影也可以被包含於生动描写技巧之中，Henry Frederick Evans的作品就 是很好的例子。Paul Strand在1917对他的作品做了以下描绘："完全不合格的客观"，描 述了这个词意义的改变。它暗示着一个特定的审美典型取决於摄影时是否使用更高反差、 更锐利的焦点、禁止格放，并且强调根本的抽象几何结构构图。一些摄影家开始发现并利 用这些正规的基本要素来将玄学或精神上的意象纳入他们的视觉条件。这是一直到1970年 代以前强调未经操作的银盐摄影的现代摄影美学。 -- 自己翻完都有点心虚｜｜｜ 请大家鞭小力一点。。。 --

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