※ 引述《aloke (人生有一半是失眠)》之铭言： : 想请问一下...突然想到的问题 : 1. 这两个人在日本的摄影界(艺术界?)是属於大师级的.... : 想请问的是他们带给整个环境什麽而成为大师 ??? : 还是只是单纯她们拍很久而且大家都喜欢 ??? : 2. 这两个人在西方也算小有名气，想请问西方是采用什麽观点在 : 看这些日本摄影师 ?? (或西方艺术是怎麽看日本的摄影??) 找到一篇文章的 abstract SOURCE: Third Text no48 Autumn 1999. p. 65-70 The writer analyzes the discourse that underlies the reception of Japanese artist Nobuyoshi Araki's photographic work in the West. Araki has dealt with a range of subjects, from plants and animals to cities, but his representations of the female body are indubitably the key to his success in Japan and in the West. In the latter context in particular, which has become highly sensitive to the representations of gender power relations, a photographic practice so clearly based on the commodification of the sexualized female body meets with an enthusiastic and largely uncritical reception. Although problematic by Western standards, Araki's practice of representation is "exonerated" by means of an exoticized interpretation whereby the evocation of "cultural difference" diverts critical attention away from phallic-patriarchal conventions of representation. 所以说大家喜欢荒木经惟 对西方人来说是莫名其妙应该要被批判的 XD 然後西方人看荒木经惟，就把这个当作东方落後国家性别不平等的表现来"欣赏" ?? --

※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 60.241.97.6 ※ 编辑: aloke 来自: 60.241.97.6 (10/29 00:09) ※ 编辑: aloke 来自: 60.241.97.6 (10/29 00:25)