※ 引述《anslasagoos (Soul...)》之铭言： : De Mysteriis Dom Sathanas (1991–1994) : Dead's suicide affected Necrobutcher so much that he left Mayhem, : thinning the band's ranks down to two. In 1993, Live in Leipzig : was released as the band's tribute to Dead. : Dead的自杀影响Necrobutcher甚剧，导致他後来离开Mayhem，也使得乐团 : 水准下降。1993年，乐团在莱比锡*举行了Live演出来纪念Dead。 : *德国第二大都市 来比锡现场录制於1990年，该场主唱仍然是Dead 只是迟至1993年才作官方发行 : In 1994, De Mysteriis Dom Sathanas was released and formally : dedicated to Euronymous. Its release had been delayed due to : complaints filed by Euronymous' parents, who had objected to : the presence of bass guitar parts played by Vikernes. : 1994年，De Mysteriis Dom Sathanas专辑发售，并纪念Euronymous。 : 专辑延迟发售的原因来自Euronymous的父母，他们抗议专辑内Bass的 : 部份是由Vikernes演出。 : *Contrary to contemporary reports these were not re-recorded : by Hellhammer and appear unblemished. : 相反地，Hellhammer并没有因为当时的抗议从新录制这张专辑， : 且几乎完美。 : *这句翻译可能与原意有出入 在官方网站上，这张专辑的bass还是Varg 到底有无重录众说纷纭（对乐迷来讲可能也无所谓） 据我在网路上捞到来的谣言... 一是Hellhammer重录了 二是Hellhammer虽然答应重录，但是当他拿起bass弹了一下 才发现bass和鼓是两种不同的乐器，弄了一阵子之後只好保持原样，放弃了 : There has been controversy about the re-united Mayhem, as some : praise this re-union and are glad that the focus now rather : lies on the music, whereas others see this as a purely : commercial product betraying the spirit of black metal : or “believe that the true Mayhem are dead with Euronymous” : and critisize the continuation of the band without him, : who had once said Mayhem would “never get commercial” : he would dissolve the band if it would enter mainstream. : 关於Mayhem的重组存在着一些争议；某些人赞扬这次的重组， : 并为他们把焦点放在音乐上感到高兴；其他人则是认为，新专辑彻 : 底商业化背叛了黑金属的精神，或认为， : 「真正的Mayhem随着Euronymous的死亡一起消逝」，并批判在没有 : Euronymous的状况下延续乐团； : 他曾经说过︰「Mayhem绝对不会商业化，如果Mayhem加入主流 : 只会让乐团分解。」 科科 虽然Wlof's Lair Abyss依旧是爽片一枚... --

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