※ 引述《Duofilm (慈椿端佑康颐昭豫庄诚寿긩》之铭言： : 假如电脑里面有emule这个软体 : 可以去搜寻一下关键字"arban" : 或是 : rafael mendez - Arban Single Tongue Exercises (complete).mp3 : 里面是教本28页到36页的mp3档案 : 对於小号的学习应该很有帮助 : 可以用切档案软体切一切.... : 然後自己放出来跟着吹 : 应该会很有趣吧..... 试听档案 http://abel.hive.no/trumpet/mendez/arban/ 上面那个连结不只有试听档案 还有唱片背後的说明 下面是我偷偷从网页上翻译的 假如有错请赐教... 唱片内容展现出重要的两点： 1.对单音的控制能力与清洁的声音 2.清楚的点音(attack) 这两个重要元素被在本录音中可以充分被听清楚。The tongue is really a valve which starts and stops the tone by releasing and stopping the air stream.（不知道在讲什麽，好像是在弹舌头的时点是在活塞按下 去与弹上来的时候推送气流？？？？） 为了要吹奏出一个乾净的点音，弹舌尖应该指着并且摆放在上下门牙的 中间。在支持声音中，舌头应该要放松到原本的位置，也就是舌尖在下排牙 齿。 有两种不同的方法可以停止声音 第一，用喉咙将气流切断，这可以是缓慢也可以是突然的。 第二，藉由舌头尖的举起(raising)，举到之前点音相同的位置。在弹舌 的过程中，所有嘴巴肌肉形状的扭曲，如嘴唇、脸颊、甚至是下巴 必须要避免，因为这样的动作会损害乾净、尖锐的点音，原因在於 他会妨碍自然的舌头动作。 这一类不必要的动作可以藉由向中央 强力拉扯嘴唇肌肉来解决，藉由紧绷嘴巴周围，保持嘴唇的强壮， 并且确定去防止嘴唇的强力伸张，或者是施加喉咙的压力。 曼德兹建议这些安邦练习曲19-23可以配合着节拍器的节奏练习，让你 有机会可以个别确定每个音符，并且确保每个音有相同的点舌。 当刚开始的时候使用较慢的节拍，但是节拍应该要在练习之後渐进的 加快速度，并且超越录音中的速度。 他建议练习的时候，伴随着这些录音，并且『确保每个音都像独奏一样』 。 以下是原文 Advice (taken from back of LP cover): He selected these Etudes because they demonstrate clearly two of the most important factors in fine trumpet playing - controlled single tonguing and clear, precise attack. These two factors are closely related as attention to the recordings will reveal. The tongue is really a valve which starts and stops the tone by releasing and stopping the air stream. To produce clear attack, the tongue tip should be pointed and placed exactly on the line between and behind the upper two front teeth. During sustained tone, the tongue relaxes to normal position with tip behind the lower teeth. Two different methods may be used in stopping the tone: First, and most practical, is to cut the air stream with the throat - which may be gradual or sudden. Second, by raising the tip of the tongue to the same position as for the attack. In tonguing, all forms of muscular twitching of mouth, lips, cheeks or chin must be avoided. Such movement will impair clean, sharp attack because it hinders free natural movement of the tongue. These unnecessary movements can be avoided by firmly drawing the lip muscles towards the center, holding the lips firm by tightening the corners of the mouth and making sure to avoid stretching of lips or tensing the throat muscles. Mendez suggests these Arban Etudes be practiced with a metronome set at the tempo in which he plays the first few measures of Etudes 19 to 23, thus gaining a chance to observe every note individually and to attain uniform attack. As control is attained in the initial slower tempo, the tempo should be gradually increased to and beyond the speed at which the complete Etudes are recorded. He suggests the performer practice with the recordings - and that the performer "make every note a solo". -- ┌─────────┐ │也请身受其害的同学│ │复议我的文章 │ └─────────┘ --

※ 发信站: 批踢踢实业坊(ptt.cc) ◆ From: 140.119.201.193 ※ 编辑: Duofilm 来自: 140.119.201.193 (03/23 00:19)